Lime_Ears_LE3B_Deep_Blue_plyta
Lime_Ears_LE3B_Deep_Blue_plytaLime_Ears_LE3B_nebula_KubaLime_Ears_LE3B_Grey_TimeLE3S with PacMan themeLime_Ears_LE3B_GreenLime_Ears_LE3B_nebula_Kuba2Lime_Ears_LE3B_Red_Purple_TimeLime_Ears_LE3B_Lime

LE3S

625.00

  • Main Colors

    • 20 €
    • 40 €

    Shell Color

    Glitter Shell

    Premium Color

    (Not Visible in Creator Preview)
    • 15 €
    (Not Visible in Creator Preview)

    Canal Color

    • 15 €
    • 0 €
    • 20 €
    • 40 €

    Shell Color

    Glitter Shell

    Premium Color

    (Not Visible in Creator Preview)
    • 15 €
    (Not Visible in Creator Preview)

    Canal Color

    • 15 €

    Glitter / Dust / Gold Leaves

    • Glitter Dust20 €
    • 24K Gold Leaves50 €
    • Glitter Dust20 €
    • 24K Gold Leaves50 €

    Faceplate

    Base

    • 10 €
    • 30 €
    • 30 €
    • 30 €

    Decorations

    • 0 €
    • 0 €
    • 15 €
    • 40 €
    • 40 €

    Upload Your Logo for Engraving

    • (max file size 64 MB)

    Base

    • 10 €
    • 30 €
    • 30 €
    • 30 €

    Decorations

    • 0 €
    • 0 €
    • 15 €
    • 40 €
    • 40 €

    Upload Your Logo for Engraving

    • (max file size 64 MB)

    Accessories & Additional Features

    Cable Color

    • 50 €

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    If you have any special wishes or notes, please feel free to write them below.

Facts

  • Three balanced-armature driver construction
  • Three-way passive crossover (Single low, single mid, single high)
  • Two-bore acoustical design

Philosophy

The LE3, is the main axis our designs, being 3-way it was the starting point to others. The goal of tuning this three-driver model was most pleasant musical sound reminding a little bit classical hi-fi and pro-audio equipment from ‘70s and ‘80s . Overall sound was meant to be extremely natural, a little bit laid back, balanced, full, pleasant, musical and very faithful in monitor kind of way.

Tonality

Lows that are punchy and could get pretty big if sound engineer meant it that way. Soft mids, in their vocal range recessed just enough to avoid nasal sound. and sharp enough in higher part of the band to maintain punch in snares or grain in distorted guitars. Due to unique acoustical tuning highs were kept crispy, but not harsh.

Space

Extremely natural soundstage width and depth. Great but not obtrusive source separation, natural, coherent imaging.

The Switch

The switch controls the bass and lower mids (below 1000Hz). It can be used e.g.:

  • Depending on listening level to make use of the Fletcher-Munson law (for lower listening levels the bass can be boosted to make it better audible)
  • Depending on level and quality of bass in the recording (if the bass is great it can be made very powerful, on the other hand if material is not to well mixed and lows are becoming boomy and out of control they might be trimmed down)
  • Depending on external noise levels (If you’re listening in noisy environment like airplane, subway or similar where low-end noise masks the lows, you might want to switch them up).

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